Clearly, You Write 2!

 

One of our main goals in the pilot six weeks of Clearly, You Write was to help participants build portfolios. When the chance to submit manuscripts for consideration comes along, we all wish we had more early drafts to polish up. Every one of the participants was full of ideas. We tried writing in genres we were not used to; poets started stories, story-writers tried nonfiction, and so on.

Each of our meetings allowed for active writing time, as you can see in the photo. It was followed by the opportunity to share what we had written with the others for feedback, so authors could walk away from the group prepared to work on their next drafts. 

In our final meeting for this six weeks, we practiced writing conversations arising from a verbal "image" (as the first step in writing a one-act play). In general, I found the variety of all the manuscripts shared in the last half hour of our sessions fascinating, and this session was no different!

We look forward to resuming Clearly, You Write later in the year. Join us! If you or an adult relative likes to write, this is an awesome once-a-week writing-group opportunity!

Clearly, You Write

 

It's a pleasure working with authors again at SELI! 

In our six-seminar workshop (called Clearly, You Write!) we are sharpening written-English skills as well as developing drafts in a number of genres. Today's writing focus was reader's theater. You see here Lilian and Emmanuel bringing a reader's theater script to life before analyzing it and then writing their own to share with the group. I was delighted with their imaginative ideas!

We hope to increase our CYW enrollment this week. I praise all who attended today despite the 48-hour nonstop downpour we've been through.

Damba's First Day

Everyone's first day in a new place stands out in their memories, and is distinctive from everyone else's.

Damba will receive a "My Life" book this term, containing all the experiences she has written about in her SELI Young Writers process-writing club at Dankawalie Secondary School in the past two years. 

One topic she chose to write about was how she came to join the club. I thought you'd like to read what she wrote:

First Day at SELI

 by Damba

 

One day when we were in the assembly, Mr K called the SELI members Abu, Fatmata and Alusine. 

I decided to go with them. When they were writing their experiences, I did not know what to do. I stood by the door and watched them. They were taking paper and pens to write. When Mr K called me, he said, “Why are you standing without writing?”

I said I did not know how to write a story. He said, “Ok, come here. Let me show you how to write a story.” He explained the steps that I must undertake when writing. 

The first story that I wrote about was my aunty’s death in Freetown. 

I liked the story about my aunty. When they came with the typed story, Mr K told me to read it in the assembly. I was afraid. My friends told me not to be afraid when reading it. By the end of my story, I started crying because I lost my aunty whom I loved best.

Since that day, I liked SELI and story writing is my favourite activity. My parents, too, liked the story I wrote of my aunty.

We praise this school for giving students many opportunities to read their own writing aloud to others, such as reading it aloud in assembly and taking it home to share with their parents. 

Bring It On Home

It's not that easy for teachers to bring stories home to children from a written text. Magnificent illustrations help, and How Baboon Got a Shiny Rump certainly has those. Alternate text in a commonly-known language also helps, and the book has that, too. But a really good teacher can mold the text and the songs into just the right form to enter the children's hearts.

Here's storyteller/poet Kewulay Kamara showing us how, using a beautifully illustrated text in English of How Baboon Got a Shiny Rump, with a multi-age group of Kuranko-speaking children.

What's Better than a Book Talk?

Another way I promote all the purposes of SELI is by giving book talks in schools where the students have read my historical novel, The Heritage Keeper. Or, where I aim to interest the students in reading it! The schools must be among the few in town whose literature curriculum is not limited to the books set by the West African Examinations Council. Regrettably, since these are not SELI Young Writers schools, I do not have permission to post photos of the children at these events. 

In mid-February I attended an annual sports competition in the Hill Valley Academy at Mambo where in the past several years I have enjoyed lively discussions about reading, writing, and Sierra Leone history in that school with students who had read the book. It was good for me and lots of fun to see those same students that day in a different context.

I also was privileged to advocate for authorship of historical novels and read part of The Heritage Keeper to the secondary students of the British International School in Freetown during their Literacy Week. I loved the time I spent with them and hope they will enjoy the books and have lots of comments to make the next time I see them!

Spreading the Word

 As schools with SELI Young Writers clubs begin each new academic year, some are faced with the need to enlist the help of more teachers willing to give of their extracurricular time. The Dankawalie Secondary School club this year welcomed English teacher Mr. Jawara who will be serving as a facilitator along with Mr. Kamara, since Mr. Sesay has left the school.

All organizations but especially schools need effective orientation mechanisms for new staff. New teachers must hit the ground running, and we need them running in the right direction—aligned with the school's (or in this case, club's) set of beliefs and pedagogies. This is particularly important when, as in SELI clubs, the expected outcomes of club attendance depend on following beliefs and pedagogies that differ from traditional rote learning practices.

SELI sees the club facilitators' time spent in the clubs largely as practical training. They become good writing teachers and acquire experience carrying out student-based instruction, which the MBSSE says it supports. For SELI to offer multi-day workshops for new facilitators with follow-up mentoring, which has been our go-to type of orientation, is not always feasible. A major reason is budget constraints, with clubs spread so widely across the country. 

For the very reason that the clubs are examples of student-based instruction, new facilitators learn by simply participating in the meetings. However, this can lead to cutting corners. To prevent that, I am looking into developing an orientation handbook for new club facilitators, or perhaps a recorded video presentation, that I could follow up with periodic in-person or WhatsApp video discussions with each new facilitator. Better yet: how many junior secondary schools, I wonder, would be willing to require all their new staff to participate in an orientation on teaching writing in the classroom?

Celebrate World Literacy Day!

Today, September 8th, is World Literacy Day.

Please celebrate it by contributing any way, anywhere you can.

Today's Reality

 

The most common method of instruction in many Sierra Leone schools being rote learning, SELI's Young Writers clubs continue to help develop the literacy skills of upper primary and junior secondary students. 

To master the Altogether-New task of writing their own thoughts, Young Writers club members work on a minimum of five personal experiences of their own choice through ESL-supported process-writing workshops, however long that takes them. When they have gone through all the stages of the writing process on their first personal experience, they receive a club button to pin on their uniforms and a typed copy of their piece.

Those who finish final drafts of at least five experiences receive copies of them in booklet form, in which pieces appear in their chosen order, with their own dedication and an about-the-author paragraph at the end. 

The tables of contents you see here are from booklets that appeared in May at SDA Primary School, Samuel Town (near Waterloo, Sierra Leone). Twenty-six experiences the authors can later convert to stories that would form the text for a children’s book—how’s that for supporting children’s book publishing in Sierra Leone? 

Partnering for Full Coverage

For the month of August, SELI is again delighted to be partnering with Transformation Education in their annual training to improve Class 1-3 literacy instruction.

SELI is also very glad that Moses M. Gbondo—a very able SELI Young Writers after school club facilitator for nine years now, as well as the acting school principal of Abundant Grace International School in Sussex—willingly agreed to carry out the presentation in my absence.

Our purview is as before: the writing aspect of early literacy. Topics we are covering are a) characteristics of classrooms where writing is taught well in an ESL setting, b) literacy and the brain, c) the writing process, and d) writing genres for classes 1-3. Lots of hands-on, practical work, of course!

Although heritage languages are not part of this training, we at SELI are glad to hear that Sierra Leone language literacy is being brought into schools in classes 1-3 in the near future. These literacy-teaching skills can be used to bring about literacy in children in whatever languages they may speak.

Training in Partnership

 

Representing SELI in partnership with Transformation Education (TE), I thoroughly enjoyed 4 days in mid-April during which I conducted the writing aspect of two of TE’s early-education literacy teacher trainings. 

The trainings took place in two different schools in Freetown, but the teachers came from a variety of schools that TE supports to develop skills in teaching early reading.

In addition to discussing what happens in the brain when we write and the developmental writing stages of beginning writers, the teachers spent time writing personal experiences in order to learn the writing process first hand. (In the first photo you see participants grouped according to stages in the process—sorry about the panoramic view distortion). 

I think we all could see that an ESL and routine-based process writing class, low-stakes and frequently held, is an essential part of an early literacy program in our setting. Reading and writing activate each other. Learning to write our own thoughts must and can be taught, and doing it builds the same brain paths (although in opposite directions) as does learning to read.